Tuesday 27 December 2016

Saying goodby to Emporium Vernesque


In the important news, I have relaunched the Blog Tupperware Steampunk as Radio Retrofuture.  I am considering to put the transcript on there as well as commentary  I don't get to make video's about.

In other news, Thanks to the people of the Leef! Festival in Wageningen(NL) I got a enormous amount of stuff for a good as noting. They need to get rid of their inventory because they need to vacate the warehouse were that they use as a workshop. It is very important to me because it was Emporium Vernesque that they organised that inspired me to start my blog. Emporium Vernesque was the only Steampunk dedicated event in the Netherlands I looked forward to every year, that was organised by Johanna Theresia Waalderbos (I interviewed her years ago in Dutch). It was also the first event were I gave my writing workshop, as well as giving my presentation on the main stage. Now I will have a part of it in my own home. So it feels like going full circle for me.

Also they have a lot of costumes and other props that will aid us during the recording. So I am very grateful!    Tommorow We hope to have a little End of The year On our Youtube Channel, So Subscribe to get notifications on that.




Happy Holidays



Hope you all had a pleasant Christmas. Get ready for the new year with our new Series, The Steampunk Beginners Guide.


Also Enjoy Dankaert First review

Saturday 13 August 2016

Metapunk and Absinth Affair

So my Channel is growing somewhat. Not as fast I would like, but I get in the flow of the editing. Trying new things, etc. I Hope to publish a new series in September with is my most abitious yet. But I am making a lot a of friends in the podcast community. I all ready talked about the Fedora chronicles. Now you can add Metapunk, by Marcus G Gilman, and the Absinth Affair, by Atticus Oldman, to that list. He even included me on his website, The Steampunk Almanac.


Here are some of my conversations with them.


Marcus R Gilman on Skeptisism


Atticus Oldman about Scottish influence on Steampunk and Inclusivity



And here is my latest Ramble on Inclusivity and bahavior oline



Saturday 2 July 2016

Radio RF Update, Fedora Chronicles and Multi-culturalism in Steampunk

Been awhile since I updated this blog. Radio Retrofuture that's most of my spare time now. Also I started a Patreon were people can support our Projects. Just a dollar a month can get us a long way. We will have nice rewards in the future, like prints and trickets.

As a bonus, Eric Fisk of the Fedora Chronicle had me on the Fedora Chronicles #60


And now, a new format I want to do more of. If you enjoy it. Subscribe, Comment and share. Even a 'like'  means more than you think.  







Thursday 12 May 2016

Not Steampunk Music?

So there is a little kerfuffle about Capt. Rob rants om facebook. Claming that Bands like the UK based BB Blackdog aren't Steampunk bands, but simply jumped the bandweagon. When people disagreed he went on to insult the fanbase of such bands. And know many Steampunk aren't that happy with the dear Captain. But I don't want to dusicuss that incident myself. If you're intrested, read this article on Steampunk Journal .
This is simply my opinion on Steampunk music.

When I met Montagoue Jacques Fromage in 2013, one of the things he told me was: 'There is nothing like Steampunk music. Just music Steampunks like.'
If there is any consistancy in Steampunk, it is how inconsistent it is. 'Steampunk is a feeling,' after all. A phrase I use sarcasticly once, but many of my readers have taken it to heart. 'Steampunk music' is a perfect example of this. Bands tends to bring a Retrofuturistic stories and worlds to life in their own way. They intend to move people, invocing images of adventures in airship or to bring back the authenticity of Victorian nightlife in the decrepd streets of London. They all do this with diffrent types of musical genres and styles.

Of those styles, I could never get into the one of Abney Park. I just complained about consistancy... Well, AP, in my opinion, has none. I can recognise Victor Sierra or Steampunk Giraffe, to name a few. But AP sems to have  no signiture sound I can get behind. I tried to get into some of their songs, like Steampunk Revolution, but they all started to grade on me very fast. Especially the lyrics on how 'special' they are and don't conform to modern society. Which is a shame, because it was an interview I read with Captain Rob, in the Steampunk Gazette, that made me want to write about Steampunk in the first place. But I consider Steampunk, and myself, to be a product of the 21st century. Not some freakish anomally, like they seem to proffess.
Still, I liked to way the presented Steampunk outside of their song to a larger audiance. I have seen and read some great interviews they did.

To sum up. I don't agree with the Captain. Steampunk is very individualistic. The Music Scene reflects that. Every band projects their vision of Steampunk unto the audiance and brings these fictional worlds alive in their own way. Some are inspired by Jazz, Techno and simply good ol' Punk. Each sounds accentuates diffrent parts of the Creative-Engine that is Steampunk. 



Monday 2 May 2016

Radio Retrofuture #11: A history of Teapotracing

An intresting historical conversation with Simone Monty on the conception of Teapotracing and how it went Viral (part 1).



To be honest. The first time I heard of this, somewere in 2014, I thought is was nothing more than a new ritual to compensate for the lack of direction within the community. I am glad Simone Monty proved me wrong. Still I don't think I will ever get into this. But atleast I know have some good reasons to support it.

Here is Part 2


Thursday 28 April 2016

The Dutch Community going Black? What have we learned?

I don't want new readers to get the impression that this blog is about drama. It's about idea's, made up by me. SO YOU KNOW THESE ARE FACTS! Because I told you! So you must believe it!

'Now,' you might think. 'That is just ridiculous! Why should I take your word for anything!'

Well, how about this?

This week a number of Steamers, both in the Netherlands and the US have left our community over a number of conflicts; that are in this case unrelated to each other. Others are being accused over, he-said, she-said-situations, that appear to be based on rumors and misinterpretations without much evidence to back these up. Yet, people eat these claims up and start picking sides, screaming how shocked they are, and 'How dare they. We don't want this in our community! This is not what Steampunk is about!'
Perpetuating unfounded rumors apparently is though.... Just saying.

And all this bickering leads to people leaving the community. Man and women  like Mickey Knox just wanted to make stuff. Rather they need to for therapeutic reasons or just because they want to, they don't consider themselves Artists or their work Art. Making is their true passion. So that is what they are going to do. Make stuff, not related to Steampunk.
For those thinking about starting something original after Steampunk. Play-Doh might be an untapped resource to build community about.

But this infighting makes it about people and patty things people want. Attention, influence, money and the need to vent frustrations. These feuds have hit the community hard. And the most annoying thing is that the spectators on social media get carried away. They take sides on their word when certain bad things have transpired based of the claimants popularity or the reputation of the accused. But often these people take sides without knowing all the facts, or even what people are accused off in the first place.

I am not claiming to be above all of this! I to have speculated about peoples motivations without being aware of all the facts. I recently learned new information one something that happened two years ago! Two damn years before somebody finally told me something I would have liked to know all the way back, because as a result I unintentionally spread wrong information! In this case it didn't change anything, but it could have. 

So, are you in the know when you respond to dramatic posts?
Just something to think about.

But why are people getting drawn in with all this stuff?
It's dramatic and that is exciting. It's a reallife soapopera happening in front of our eyes, and becuase these fights or held in public view and in written word people can follow it in real time. And random people can respond and participate, even though they have nothing to do with it, causing new drama. And people remember negative things. The stuff you make stuff is nice, but quickly forgotten. Especially in a scene like Steampunk were we are bombarded with people's creations. People see your picture of your latest DIY Steampunk Dogwalking Device, give it a like and move on to the next post.
But drama and rumors! That is the kind of shit that sticks in our memories! It hits that emotional sweetspot that engages us in a medium that, quiet frankly, doesn't challenge our sensitivities that much. But when you learn about the background of an artist and the personal stuff he or she went through, and bad things that happend. You look differently at their work. When you see Mickey twinlinked Gatlinggun. It's an awesome creation. But when you know how he went out, what will really go through your mind? The same goes for other tragedies that befalls artists. On a fleamarket were I was, a vendor joked about a David Bowie CD and how the value went up because he died recently. He joked at the time, but it's true. Knowing stuff about artists makes us feel like we have a connection with them. That we identify with them, or aspire to be like them.
That is both positive and negative. I want to have fond memories of Mickey Knox's his contributions to the community. Not the shit that caused him and his family to leave.

But can we change it... I dunno. You can can blame communities, groups or 'systems' all you want. Some people are naturally born assholes. I am working to get a panel together to discuss these matters more in depth and what we can do about it. But the best place to start is with 'You'. 


So these (I hope) are going to be my final words on the Issue:

Life is pointless.
We're all gonna die.
Come with us and let's make more Steampunk.
 

Tuesday 26 April 2016

Dutch Steampunk going Black



EDIT 2* So I talked with some of the others parties involved. I still don't know what to make of it, but one thing I do know. Blocking or ignoring communications is far more destructive than any rumor. The accused party was not informed of any of the accusations leveled against them and came to me for an explanation of way I posted this article. I explained my decision to write this, and we agreed to keep this article as is.
You want to resolve a conflict? Go to the roots! I do not approve of internet hatemobs and accusations being thrown in a public space with the intention to shame people. Seriously!

Some Steamers might have noticed something weird on Facebook. Dutch Steamers are putting their their profile pictures on black. Why?
Once again I was confronted with a sad message a talented individual intends to quit Steampunk over 'internal rivaleries'. I attempted to mediate between some of the involved parties to open up communications so at least some frustrations can be vented.

So what happend? [Redacted]



Today Mickey and Mallory announced they would stop with Steampunk due to the ongoing feud between two groups. What happend during Elfia this past weekend was the straw that broke the camels back.
Well known Dutch photographer Ruud de Kort announced to protest what happened, because, according to Ruud, the Knox families 4 year old daughter became involved by passive aggressive ways.  If this is true, it's low. Children are the NO-GO-ZONE!
Putting their profile pictures are their way to send a message to the whole Dutch community, not just the accused! This petty behavior need to end!

Now, details are sketchy and my goal here is not the accuse, but to inform. I won't put my profile picture on black, because I can't say for certain what happened. But I will unite behind the slogan 'Steamers Unite. Don't fight!'

EDIT* To emphasize. I am not advocating for any vigilante, internet lynchmobs or anything! This is a personal vendetta. I, nor you know enough to judge any of this.

Here is Mickey's Goodby message he posted on FB


After having a deep thought we decided to quit Steampunk and everything with it.
We are so sick and tired of being pushed around by others who want to bring us down only out of jealousy and hate or just because they think they are the elite.
We are sick and tired of losing friends who are influenced by others to hate us.
We are biting our tongues long enough to keep the peace.
All i wanted was to create Steampunk things and show it to someone who might like it. Thats all !!.
Dont worry wink emoticon I will go on with my creativity and pick up an old dream of me and thats building my own Hot-Rod ( well actually Rat Rod )
But we sure want to stay away as far as possible from the Steampunk / Fantasy scene.
My own Steampunk Facebook groups will be terminated.
I'm signing out of all the rest of the steampunk groups.
Clockwork Carousel and its good members are not to blame for this we stay good friends.
So to all Steampunk and fantasy friends. Steampunk Mickey and Mallory are signing off.
Im sure some one is laughing in his fist right now.
Thank you for ruining our passion in steampunk
I hope you have a good laugh. You must be proud !!!


Tuesday 12 April 2016

Update: My interview on the Fedora Chronicles and Radio Retrofuture



Good day everyone,


Sorry for the lack of updates  on this blog. The new Youtube Channel Radio Retro Future takes all of my time now, just as decorating my home and preparing events for RAG-TAG.

But I didn't stop writing. A matter a act here is a inverview done by Eric Fisk of the Fedora Chronicle 

I also was interviewed on Radio Retrofuture by a student on the Steampunk Subculture



In respondes to her projectr I have organised a roundtable meeting, held on the 13th of April, you can listen live if you're in time.





Experimenting with wallpaneling


Friday 11 March 2016

Radio Retrofuture is in the AIr!

Finally after much delay, we have launched our video channel on youtube!

Logo by Dave Lee

Our first livecast with Mickey Knox is up and the outtakes of Dave Lee interview were uploaded today. We intend to make more orginal and helpfull content for people new to Steampunk or Cosplay in the future.

Saturday 5 March 2016

Is Firefly something- or something-punk? Please give Retrofuturism some credit.

So, today I read a thread in which somebody asked. 'Is Firefly Dieselpunk?'
This happens to be a subject I wanted to talk about a long time. There are alot of common misconceptions about Steampunkesque visuals and stories. But before we start, what is Firefly?





Firefly(2002) is a short lived sciencefiction series written and produced by Geek God Joss Whedon; who also wrote Buffy the Vampire Slayer and The Avengers movie. Firefly was his favorite project, for which he had to jump a lot of hoops just to get the Pilot made. But after one season it got canceled anyway. But the show became a big hit when it got released on DVD. It's cultfollowing helped Whedon to finance a movie, Firefly: Serenity and to publish a comic-series that tied Firefly, the series, and Firefly, the movie, together. Still a lot of fans, including me, are very disappointed no new seasons were made.

The series is set in the year 2517, were humanity has settled a new Star System, and follows the adventures of the crew of Serenity, a "Firefly-classspaceship. Each of these nine individuals have there own reasons to be on this ship, and have different views on their predicaments that make it a very interesting, and entertaining show. But Firefly is probably best known for it's visuals. This universe is portrayed as a Wild Wild West setting in space, with religious colonies, prospector towns and it fair share of vigilantes and robberbarons. It is one of the reasons why Firefly looked the why it did. And also why some people are so confused about its genre.


This is were the important rule of, 'Show don't tell' comes in children. The first Scene of Firefly is the last  battle of the Unification War between the Alliance and the 'Browncoats' in Serenity-Valley. The Browncoats look like a bunch of Space Cowboys but the Alliance Forces look similar to the Union forces of the American Civil War. Do I need to to tell you, who will win this battle? ... Don't think so.

Firefly blends Space Opera with Western genres, depicting humanity's future as a multi-cultural society that is basically a fusion of Western and East Asian cultures. That's because the creators reasoned these would be the most dominant ones in this future. As a result Mandarin Chinese is the second language of the Sino-American Alliance.
Furthermore the show depicts this multi-cultural aspects is the visual design, that made Firefly look so unique. The sets and fashion in the show is a blend of Old Western-styles with Traditional Chinese dress. This a good example of using 'Retrofuturism' as a storytelling device to bring the world to life without wasting time on dialogues to explain this.
We know who the badguys are in this series. 
We recognize the Robberbarons, the ranchers and the farmers because we have already seen them in Westerns movies before. We know just enough about the American frontiertowns to understand what is going on in the colonies. The same goes for the use of horses in the series. When you settle a new land, with no infrastructure or industry and expertise is scares. Do you want complex vehicles or rather use horses? 
And when you compare these frontiertowsn with the sterile chrome and blue spaceships of the Alliance. Who do you think are the ones in control?


Firefly applies a very interesting bland of history and popular culture to visualize it's setting, what gives the show it's retrofuturistic appearance. Sure, it's creators could have been inspired by Steam/dieselpunk. But that is not the reason why these elements appear in the show. Firefly is not unique in using Retrofuturism as a storytelling device either. We see it in Anime all the time, like Gundam, Battleship Yamamoto, and my favorite Last Exile. But unfortunately the first instincts of (Steampunk-)fans seems to be to label these as Steampunkesque or something-punk. I've never seen anyone ask, is this Retrofuturistic?   

To conclude, Firefly is future prediction, and not an alternate history. The parallels drawn between the American Old-West and space colonisation give the show it's Retrofuturistic look.
These discussions also reveal that the subject of Retrofuturism more credit than it does. A matter a fact, I become more and more convinced that more people are a fan of Retrofuturism than any of the so called punk-genres. But Steampunk is it's flagship, and little can be done about that at this point.  

Thursday 3 March 2016

Webcast: Making Steam with Dave Lee

Had a wonderfull livestream with Dave Lee, A humble Geek who will soon move back to the USA. I happy to catch him before he moved back.





Tuesday 16 February 2016

Podcast: European festivals versus US conventions, Furries and Monty stuck in the snow


Our first attempt at a podcast I and Montague Jaques Fromage intend to hold. We'll talk about idea's, Steampunk culture and anything related to that. If you want to come on our have a subject you want us to discus please let us know in the comments.




Monday 8 February 2016

Greasing the gears of the community: The Ideal 'Steampunk Group'


In 2014 I reflected on my thoughts on the difference between Reenactment and Steampunk-groups, and what I liked best about the two. But also what I believed both could learn from each other. Now I have my own projects were I put these idea's to the test.
Recently I had some conversations in responds to my presentation during Emporium Vernesque and again during Plein der Verlichting (Townsquare of Enlightenment) on the subject of Steampunk-groups and their relevance to the community and events.

Groups, or crews as these are often called,  are a good thing. They are like the callingcards of the community. They can communicate like a united front to the outside world of use use their existing groupstructure to organize events and start more ambitious (building)projects. These are also usefull to organizers as acts on events or conventions.
Yet, there are allot of missed opportunities in my opinion and was one of the mayor reasons I started RAG-TAG. My ambition was to make this a  walkingact of five grenadiers  to serve as faceless fodder for the heavily armed Steampunks. This never really caught on, yet we have about fifteen grenadiers now, most from outside the community. Several outstanding requests for photo and videoshoots and several deployments for our stormparcour and other projects. And that within a period of two years, so we are doing something right, right?

RAG-TAG uses a specific formula, and it creators will probably use it for other projects in the future. Not just for groups, but also one-time acts. But what is this formula and how does it help anyone to create the ideal group?


So, few of you may have had a conversations like this.
'I am gonna start a crew!'
'A, that's nice. What's your group about?'
'An Airship Crew?'
'Yeah, but what are you going to do? What are the themes?'
'Steampunk?'
'O-kee, but how are you going to be different for other Steampunk-groups.'
'Oh, everybody will just do their own thing.'


Now, there a lot of groups like this. And that is fine.Maybe they are successful an have done or will do great things. But the overall majority of these groups tend to disappear as swiftly as they are formed. Now reasons vary, but there is one common factor. A lack of direction.
People form theme-groups to do things together, but often tend to forget, what these things are supposed to be. Having your members, do-their-own-thing, sounds nice, but does it lead anywhere? Off course, it is hard to turn away people who want to join your group. First of all, you want your group to be successful. Growing numbers feels like validation on how well you are doing. But will everyone be able to contribute in equal measure? How do members contribute? Some members will realize the majority of their group merely lean on their creations and the name of the group without adding any value to your group. This could also scares off event organizers who have to make room for, and cater to all these people, who might not contribute all that much to the event.
To summarize you want an act that attracts the people who want to participate in this act. My first advise: Don't make it about Steampunk!
 

Create a theme


Most groups start of with a simple question. 'Wouldn't it be cool if  ... ?' This could be start a airship crew, but this is to general an idea. Specify it as narrowly as possible. What kind of ship is it? What does the crew do? In what era and region are they active? 
A theme is a framework of agreements on worldbuilding and symbolism. Basically what you want is a coloringbook you can hand over to new members. They are allowed to color the pictures anyway they want, as long the draw within the lines.... Most of the time.

For example, you could make a English Airsmuggler Crew active in Asia or a family of French explorers traveling in South America. Based of the traits in these descriptions each, of these two groups should have their distinct aesthetics and identity. But before we get into that, let's talk about activities.
Also think about symbolism.A flag could be a start, but symbolism doesn't have to consist out of abstract markings. It could be a uniform. A piece of clothing or the lack there of. For example, I you have a band of common thugs, don't have gentlemen like attributes like high hats (unless it has a purpose). Maybe they all have the same clubs or  wear a colored scarf.

Create a act

Bruce Rosenbaum,
owner of the Steampunk Museum
and organizer of workshop for kids and
'young adults' with autism.

Now the group has a basic jest on the theme's. What kind of activity or act do you want to do. Off course it
could be something as simple as modeling or visiting events together as a cosplaygroup. But for those that want to preform on events, a activity geared towards the audience is required.
This could be a play, circus performances, workshops and what not. Whatever it is, make it so the people want you back. (Passive encampments do not count!) This also means you need to innovate from time to time. And off course, make it so it adds something to your chosen theme. If your group consists of smugglers, make puzzles with creates, or it contents. Make them look for hidden goods. Be creative! If you have a laboratory, make kids mix colored fluids to get the right color, etc. 

Make sure potential members are aware your group has a central activity they have to participate in or contribute to, if they wish to join. A matter a fact, promote it if you are looking for new members. Potential candidates may not be looking for a steampunk group. But they might be interested in joining a circus or educational-act aimed at a specific audience. 

RAG-TAG's Stormcourse for kids

Make a Manual


Having a written manual is a good way to communicate to new member. A list of houserules and agreements could be enough. If you group has a 'uniform' make pictures for reference and give tips on how to make or get these things. It also saves you time and energy having to explain this over and over again. 
It could also include things like fictional stories, character bio's etc.

No need to get draconian. Just make sure you write down! a clear framework with obvious boundaries. Your manual need to be like a coloringbook. Use any colors you want, but draw within the lines. 
Explain potential members what they can do. Not what they can't. If a potential member can't except these terms, accept they are not suitable for your group. But don't worry, members that are drawn to you group often know people with similar interests. Even though the have no real interest in Steampunk, they might be very interested in the activities instead.


Don't make it about big stories


Unless you intend to do live-plays or actually want to be a storyteller, don't waste your time on in-depth stories before your first events. Let role's or characters develop naturally. If your group participates in more events and gathering, injoke are inevitable. I've been in a themegroup for fourteen years. Then you create your own little universe were certain phrases or symbols only make sense to the initiated. 
If you want, make short bio's (not A4, just five lines) so you can explain in one sentence what your character is about and make note of things that happens during events instead. Make officerslogs, describe your encounters or write anecdotes to go with photo's taken. These are more entertaining and useful for our audience.

Be representative, be diverse


Don't post random pictures on your groups social media. Separate it in theme's, like horror, decorative, comedy. Facebook or Printest Albums are a very useful tool. You can use this to convince photographers, organizers etc. where your group is useful for. It also visualizes in what directions your themes could diverse. But always realize there are boundaries. A group of soldiers could never be civil aristocrats.

Other things


Unless you have a reason to have a large number members, keep you numbers down. Don't grow for the sake growing.
Groups like RAG-TAG (well, I guess it is unique at the moment) represents the 'Military Underclass'. Their supposed to be a lot of them and they are all expendable. In other words, not one is essential to this act. Themes like this work well for large attractions like their stormparcour. Having reserves even becomes essential. Because they have a 'uniform' these volunteers can easily be dressed to fit in the group. And more importantly, they have a specific function to forefill.
The larger you make your group, the larger or more numerous your attractions need to be. For the sake of group dynamics you can't have two people doing any work at a given time while the rest does what ever they feel like. This might work for a while, but after a number of events this is will bit the group in the ass. Not only is it bad for morale (it's to complicated to explain here), it doesn't look good to your audience, and will certainly not to event-organizers.


So, this is my formula for making a relevant group with staying power. Sure, it's not foolproof. Maybe some of you have betters idea's. If so, please let me know in the comments.



Please give this article a like if you found it helpful, or leave a comment.If you have questions, leave them below. Share it with your friends. Join our Facebook group if you haven't already and want to read more in the future. I also take suggestions for future articles. And if you have subjects of your own, I am also looking for people who would like to write their own articles or add other content. 

Monday 1 February 2016

Grinding Gears: Steampunk's Branding problem

You know what really grinds my gears!

So, someone suggested to me that RAG-TAG should participate in a certain filmrecording, right? It was a Post Apocalyptic themed music video, and the person that recommended it thought that RAG-TAG. But the whole thing was on realy short notice, right? And off course none of the organisers was online. Damn annoying! So I am waiting for a replay off these guy.
Waiting... Waiting... And finaly I get a responds.

So, I explain that RAG-TAG is a Steampunk themed, right? And as a respons I get, 'Well it is a Post Apocalyptic shoot. So no Victorian clothes, or tophats with goggles.'

W... Wh... What!



Anyone who is aware RAG-TAG even excists could tell that have none of those things... Well, militairy style monogoggles perhaps. Fortunatly RAG-TAG has seperate photogalleries in diffrent styles and themes to present themselves and the situation was quickly resolved.
But damn, it's annoying that this stereotype is so prevelant that appearantly creators don't even consider Steampunk-themed groups for themes other then Victorian.

But then again, who can blame um, right? 




Ramble-Au-Matic 01: Why steampunk is so important to me

As announced I want to do more video's because they have a greater reach. So, here is my first attempted at a Vlog. I'm aware of the more obvious flaws like it lighting and sound quality.

Any feedback is very welcome. If you have questions or suggestions for new topics, please ask them.




Here is the original article if you can't stand my Ramblings

New articles in the works. Next one, The Ideal Steampunk Group.

Tuesday 5 January 2016

Real Steampunk is..? Appendix: Using the three perspectives approach on Steamgirl and other Steampunk Erotica

Warning! some links are not intended for minors! Readers discretion is advised. Also, this is an appendix to my Real Steampunk is..? article.

I decided to write an appendix to explain how I use these definitions as it some of my reader seemed to have missed the points I tried to make. These three descriptions are meant to be used as points-of-view rather then actual definitions. To explain this more in depth I'll use a recent discussion I followed on Facebook.

 
Example 1:
One of the photo's
were
Steampunks 
lost their
collective cogs about.
Kato, aka Steamgirl is probably one of the most controversial designers within the international Steampunk Community. Not because of here fashion designs at Steampunk Couture, but the erotic fetish(?) content she produces for her website Steamgirl.com(18+) which is included into several lists of most exploitative Steampunk websites.
Now Kato has a great following and doesn't need defending. However these past three years I seen many claims that her Erotic Photo's are not Steampunk because of, The Reason! 'It offends me, therefore it is not Steampunk!'
Yes, some people don't like erotica. I am very surprises that people complain 'Erotic Steampunk'. That Steampunk all ready has a rather fetishistic appeal seemed to go past a lot of people (or they just ignore it). The corsets and Brothel-inspired fashion? Women basically walking around in Victorian Underwear? Nobody noticed this? Just me? Not to mention all the anthologies like, Steampunk Erotica, Steamlust and, my personal favorite title, Carnal Machines.
Here is also a website Steamypunk.net that has free erotic short stories


Anyway, I wanted to do a piece on erotica in Steampunk for a long time, but there is surprising little Steampunk-Inspired Visual Porn or Erotica to be found in the interwebs, apart from written-fiction. There are some movies by a website, not so flatteringly, called Alternasluts.com(+18) that specializes in men and women dressed in Alternative Fashions, like Goth, Emo, and Punk. Than there is a 3D artist called Mongo-Bongo(18+) that makes erotic Fantasy and Science Fiction inspired imagery.
The only competition for Kato from within the Steampunk Community that I can think of is Lady Clankinton, who has some very explicit photo's and a very interesting line of Dueling Rayguns that can be found
at Littledeathray.com (18+).

 
So here are the three categories I use to judge something to be Steampunk, or something else. In this case I changed the categories into questions. Please leave a comment if you think these questions need to be refined.


1. Does the media intended to tell, or could it take part in, a fictional Steampunk / Alternate History setting were technology changed the past as we know it?

2. Is it visual design inspired by both history and Science Fiction. And does it have an emphasis on technology? 

3. Is it inspired by Steampunk, it's community or idea's within it.
 
example 2
Now, let's test these on these particular photo's.
1.) Although Kato doesn't tell multipage stories, but her costumes and decor are based upon steampunk archetypes and settings (see example 2). The target audience might be fans of said settings and are most likely the people who want to see erotic variations of such characters. 


2.  When I saw the first example (upper) what I put in to question was, 'Can this be called Steampunk?' Visually, no. But not because of the erotic poses in lingerie, but because of the Victorian inspired underwear and it's Arte Noveau bedroomsetting. It surely lacks the technological setting Steampunk is known for, and neither are these ladies look like Steampunk archetypes. Not ones that are unique to Steampunk anyway. If someone told me this picture came from a Victoria's Secret catalog, I would have believe them.  Well, If you visit Kato website it homepage tells us it's both Neo Victoria and Steampunk. So she does both. And why not? They are both inspired by historical subjects. What brings us to Perspective 3.

 3. What anyone thinks of Kato, or her work is not important. Kato has become a symbol of the Steampunk Community in the US and has international fame. She held shows, lectures and inspired models and fashiondesigners all over the world. She even was a jurer on the reality/buildoff-show Steampunk'd. Also taking the first two points into account, Steamgirl is a product, if not a staple, of the Steampunk community.
 

Also, I think it is important to remember that steampunk, as a community is not limited to 'Just Steampunk'. It also includes other genres and styles that are inspired by either history, classic Science Fiction, Dieselpunk, Fantasy and other Retro Futuristic styles that don't have their own communities or conventions. To say that there is no room for erotic is beyond me, while Steampunk are willing to include anything that looks remotely Victorian or Retro-Futurisic under it's banner.   
A good deal of her fans may not know about Steamgirl. Others probably ignore it. But when you do a google search for Kato, photo's from the website are sure to popup. When fully dressed Kato's photo get a lot of praise by the same people who will call them 'fake' when she loses said clothes. 


Now, I understand everyone has their own vision of Steampunk and they are welcome to their opinion. Many people actually applauded my remark, 'Steampunk is a feeling'. The funny thing is I was actually ridiculing them. I understand that what people think to-be-Steampunk makes them feel fuzzy inside, but personally I am tired of seeing the same responses to the question, 'is this Steampunk?' over and over again. 'It is Steampunk because it feels to me that way.' Well, good for You! But it hasn't advanced the discussion in anyway or answered the question rather when or why something is Steampunk or not.
For people like me, and fortunately there are plenty of others that think like me, who want to have a discussion we need a description that approaches a level of objectivity. Especially when you critique artists for being exploitative or a detriment to Steampunk, you better come up with some criteria we can agree on and discuss.



Please give this article a like if you found it helpful, or leave a comment.If you have questions, leave them below. Share it with your friends. Join our Facebook group if you haven't already and want to read more in the future. I also take suggestions for future articles. And if you have subjects of your own, I am also looking for people who would like to write their own articles or add other content.